Paintings
2011
2004
Publications, Essays and favorite quotes:
▪What Woodstock Fields means to me, by Moni Schifler-Azank. Essay, 2024.
▪Las artes en tiempos de transición, by Elisa Pritzker. La Voz, Bard College, 2021
▪Roberto Azank busca redefinir el realismo contemporáneo, Interview by Elisa Pritzker. La Voz, Bard College, 2018.
▪Who's Who in American Art (1999-2021)
▪Impacto Latin News, "Lotus Paintiings, exaltation of Nature", by Ximena Hidalgo-Ayala, January 2015
▪Pulse, Interview by John Nelson. March 31, 2005
▪Woodstock/New Paltz Times, “Moving Stills”, by Mala Hoffman, April 14, 2005
▪Desert Post Weekly, “Buenos Aires artist brightly colors Reality”,
by Marc Thomson, February 5, 2004
▪Essay by Lee Klein for the exhibition catalog at Eleonore Austerer Gallery, 2004
▪The Miami Herald, “Latin American Art in Coral Gables”, June 29, 2003
▪Palm Springs Life,”Where to see Roberto Azank”, by Steve Biller, August 2003
▪Coral Gables Gazette, “Latin American Masters of Today and Tomorrow”, July 3, 2003.
▪Washington City Paper, Exhibition Review, by Louis Jacobson, March 7, 2003
▪“When the Subject is also an Object (Conversations/Solitaire)”, Essay by Lee Klein, published by Addison-Ripley Gallery, February 2003
▪Old Town Crier, Review by G. Lennox Campello, March 2003
▪San Francisco Business Times, ”Viewing Art with an Eye towards Capital Growth”, by Lizette Wilson, Sept. 27 2002
▪Woodstock-New Paltz Times,”Personally Speaking” by Mala Hoffman, August 22, 2002
▪Chronogram, “On the Cover”, July 2002
▪New York Arts Magazine, by Lee Klein, December 2001
▪San Francisco Examiner, Review, by Anne Lawrence, June 12, 2001.
▪The Desert Sun, Review by Jean McKig, December 2001
▪Washington Post, exhibition review by Michael O'Sullivan, March 26, 1999
▪Wall Street Journal, ‘Inside Art - Trendsetters- Creating the Next Direction’, “Cypherism and the Age of Computation”, New York, August 1999
▪Miami Herald, “Cypherism and the Metaclassical Style of Roberto Azank”
▪Essay by Dr. Ronald Vigo, published by Brewster Arts Ltd., March 1999
▪”Big Names in the Summer” by Armando Bravo, August 1, 1999
▪Coral Gables Gazette, ”Gables Gallery exhibits Latin American Jewels”, July 1999
▪Kansas City Star, ”Still Lifes are Still Effective”, by Robin Trafton, November 26, 1999
▪Night Magazine, “An Appreciation” by Lee Klein, June 1999
▪Easton [Pennsylvania] Irregular - “Disegno e Colore”, by Isadore La Duca, October 1998
▪Kansas City Star, Review, by Alice Thorsen, July 1998
▪New York City Arts Magazine, Review ”Art Miami 98”, by Lee Klein, February 1998
▪New American Paintings, February 1998
▪Waterfront Week, “Objectification” by F. Chapman, Williamsburg, Brooklyn, New York, May 1997.