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40 years to Pure Color, a 155 paintings, 150 seconds retrospective.

40 years to Pure Color, a 155 paintings, 150 seconds retrospective.


The trails of brushstrokes as they weave colors into each other is the subject of the work.

"..The colors act as notes and the whole of them convey a musical piece, a symphony, but one where every note is played at once.
There is really no beginning, no end - it is a loop of color relation, interplay, seduction and harmony." (from Moni Schifler-Azank's essay).
Wavefield #215, after a Palette by Egon Schiele. 8_2025, 12_ x 12_, 30cm x 30cm, oil on bo
Wavefield #215, after a Palette by Egon Schiele. 8/2025, 12" x 12", 30cm x 30cm, oil on board.

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"Palette Homages", by Lee Klein - Village Star-Revue, August 2025.
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Roberto Azank always surprises. Having been called the "chromatic Mozart," as he can and has harmonized the seemingly most incongruent hues at the pictorial horizon line, he now turns to abstraction to paint waves of chroma, firstly sampling his own still life and pastoral scenes of lotus flowers upon lily pads and other placid bodies of water, and secondly a whole range of the palettes of colorist superstars.

The offerings are sumptuous in the second round of this current trajec-tory, like a dinner menu at a five-star restaurant with a bounty of delights:

Emil Nolde, Franz Marc, Vincent van Gogh, Paul Gauguin, Pierre Bonnard, Holbein the Younger, Henri Matisse, and finally, exuberantly landing upon Zurbarán, which, for this writer, is like a dessert of crème brûlée.

(read full article)

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"And the same way that he lets himself create from the interplay of someone else’s colors, I let myself create using his creations. They’re all lined up on a wall in my home. And they all rotate. My wife and I create new conversations with the colors. Sometimes daily. Sometimes every few days. Sometimes weekly. But since we got them, we can’t help playing with them. 

 

Roberto’s art invites me to play, to create. That’s a gift that worth more than the sticker price. 

 

Did I mention that the changing light of each day changes the paintings, too? They’re constantly moving, just like the waves they’re made of. Creations made by a master, from masters. That I can create with, too. I don’t know a lot of art that can do that. Do you?"

 

from Roberto's Art, Essay By Edward Elefterion

March 30, 2026 - (read full essay)

Roberto Azank - Modular mural - 5 Wavefields.GIF
5 Wavefields Modular Mural - rotating mounts allow each painting to rotate individually.
Catalog of works
Wavefield #237, after a Palette by Helen Frankenthaler. 2025, 12_ x 12_, 30cm x 30cm, oil
Wavefield #203, after a Palette by Pablo Picasso. 8_2025, 12_ x 12_, 30cm x 30cm, oil on b
Roberto Azank_Waves #141. oil on ABS board, 24_ x 24__cc_s_diag_black2.jpg
Roberto Azank_Waves #93 _Tornado_, oil on ABS board, 24_ x 24__cc_s.jpg
Roberto Azank_Waves #49, oil on ABS board, 24_ x 24__cc_s.jpg
RobertoAzank__Lightning as color #2_, 2024, oil on abs board, 24_ x 24__s.jpg
Tulip Orgy, oil on canvas, 2016-2023
Wavefield #243, after a Palette by Henri Matisse, 9_2025, 12_ x 12_, 30cm x 30cm, oil on b
Wavefield #196, after a Palette by Lee Krasner. 7_2025, 12_ x 12_, 30cm x 30cm, oil on boa
Roberto Azank_Wavefield #148, after Franz Marc's Little Yellow Horses_, oil on PVC board,
Roberto Azank_Waves #69 _Spring 4_, oil on PVC board, 24_ x 24__ cc_s_edited.jpg
Roberto Azank_Waves #36 _Jupiter_, oil on ABS board, 24_ x 24__ black diagonal.jpg
Roberto Azank_Waves #84, oil on PVC board, 24_ x 24__cc_s.jpg
Woodstock Field #98 (alternate view). 24_x 24 inches, 61cm x 61cm, oil on aluminum board _2024
Still Life #250, oil on canvas
Still Life #150, oil on canvas
Dragon Tree, Fractal by Roberto Azank
Samba, Acrylic on canvas
Lotus Pond #5, at Magic Hour, oil on canvas
Still Life #242, oil on canvas
Still Life #85, Oil on canvas
Sunset Ocean Scene, Acrylic on canvas
Interview 2024 - Video

A candid interview where Roberto explains the how's and why's of the new abstract work that emerged in 2023-24.

Selected Paintings
Roberto Azank_Waves #91 _Storm_, oil on ABS board, 24_ x 24__cc_s_diag_black_var1.jpg
Roberto Azank_Waves #39, oil on ABS board, 24_ x 24_s2.jpg
Tulip Orgy, final_cc_5s5.jpg
 Lotus Pond 3, in Morning Light. 2013, 36" x 66", 91 x 168 cm, oil on canvas by Roberto Azank
Spring Quartet, Oil on Canvas painting by Roberto Azank
Still Life #250, Queen of the Night, Oil on canvas Painting by Roberto Azank
Roberto Azank_Waves #63 _Winter_, oil on PVC board, 24_ x 24__cc_s.jpg
Roberto Azank_Waves #36 _Jupiter_, oil on ABS board, 24_ x 24__ black diagonal.jpg
Lotus Pond #5, at Magic Hour
Lotus Pond #2 ,at Sunset. Oil on Canvas painting by Roberto Azank, 2013
Still Life #261, Lotus Flower, by Roberto Azank
Still Life with Iris, #216, Painting by Roberto Azank, Oil on Canvas
Roberto Azank_Waves #55, oil on ABS board, 24_ x 24__cc_s.jpg
07_Woodstock Field #29.jpg
Lotus Pond #4, in Afternoon light, Oil on Canvas painting by Roberto Azank
 Lotus Pond 1, in Morning Light. 2013, 32" x 72", 81 x 183 cm, oil on canvas by Roberto Azank
Apples in Straw Basket (Still Life #260), 2005, Oil on Canvas by Roberto Azank
Branch and Nuts, Painting by Roberto Azank
Studio Visit Video

"A completely new body of work has emerged since we moved back to Woodstock, NY last summer. This place has such amazing energy! It was also the birthplace of the Still Lives style, almost 30 years ago when we first lived here! Lovely to be back!"
from Moni Schifler Azank's essay

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